Sir William Blake Richmond: Attributed – Drapery & Female Nude Studies

£450.00

1 in stock

Black and white chalk on brown paper. Previously ascribed to W.B.R. on the back of the old mount. The studies are academic and do not appear to be related to any of his paintings. Some of his studies have been sold in auctions in recent years and are often produced on brown paper of the same or similar dimension.

Sheet: 15 3/8 x 19 7/8 in. (39.2 x 50.5 cm).

Condition: Good, just a few minor creases. This drawing is to be sold as seen without a frame or mount and will be delivered in a conservation standard clear polyester sleeve.

Brand

Richmond, Sir William Blake (1842-1921)

William Blake Richmond was a most versatile artist. He was a painter of portraits, narrative pictures and occasionally landscapes. He also made sculpture and was responsible for the mosaic decoration in St. Paul's Cathedral. He was born 1842, the son of the artist George Richmond RA, who named him after his early friend the poet painter and mystic, William Blake. Richmond attended the Royal Academy Schools, where he was awarded two silver medals. He was influenced by the newly successful Pre-Raphaelite painters Holman Hunt and Millais, but even more by their enthusiastic advocate, the writer and critic John Ruskin. Richmond began his career painting pictures inspired by poetry, classical legend or stories from the Bible. He continued with such subjects until the end of the 19th century. During the 1860s and 70s he became a most successful portrait painter. Amongst others, he painted Charles Darwin, William Morris, the poet Robert Browning and the Prime Minister WE Gladstone twice. Richmond was the Slade Professor of Fine Art between 1878 and 1883. He became a member of the Royal Academy in 1895 and was knighted in 1897. In 1899 he was President of the Society of Miniature Painters. His grandfather Thomas Richmond was a well-known miniature painter. Richmond's reputation as an artist rests on his portraits and on the large paintings such as 'Venus and Anchises'. At his funeral in February 1921 there were wreathes from Princess Louise, Duchess of Argyll, The Royal Academy and the Coal Smoke Abatement Society, of which Richmond was the founder. His coffin was described in The Times as, 'perfectly plain...and the handles which were of wrought iron, were of William Morris design'.