Charles Mahoney – Ascending Angel, study for ‘Campion Hall’, Late 1940s

Out of stock

Unsigned: Framed and glazed. Charcoal with white highlights on tracing paper, squared with blue crayon. Provenance: Formally in the collection of the artist John Sergeant (1937-2010).

Description

Campion Hall is one of the Permanent Private Halls of the University of Oxford in England. It is run by the Society of Jesus and named after St. Edmund Campion, a martyr and Fellow of St John’s College, Oxford. The murals are largely indebted to Fr. Martin D’Arcy, 6th Master of Campion who first invited the celebrated artist Stanley Spencer to consider taking on the Lady Chapel project, but Spencer proved himself eccentric and unpredictable. D’Arcy’s friend, Sir John Rothenstein, Director of the Tate Gallery, recommended a promising young teacher at the Royal College of Art, Charles Mahoney (1903-1968), who already had several murals to his credit. (These were later destroyed during the Second World War). Mahoney enthusiastically accepted the commission, and his working relationship with Campion Hall would continue for ten years, resulting in a set of richly coloured and detailed murals portraying the life of Our Blessed Lady which constitutes one of the most splendid and engaging treasures in Campion Hall.

Additional information

Image

30 in x 15 1/2 in. (76 cm x 39 cm.)

Frame or Mount

Frame: 33 1/2 in x 18 7/8 in. (85 cm x 48 cm.)

Brand

Mahoney, Charles (1903-1968)

Painter, muralist, draughtsman and teacher. Born Cyril Mahoney in London - his fellow-student Barnett Freedman re-christened him Charlie at the Royal College of Art, which he attended 1922-6 after a period at Beckenham School of Art under Percy Jowett. Early on, Mahoney established a reputation as a conscientious teacher. He was at the Royal College 1928-53, from 1948-53 as a painting tutor, and was noted there for his concern for academic discipline. His portrait is included in Rodrigo Moynihan's celebrated Teaching Staff of the Painting School at the Royal College of Art, 1949-50. From 1954 to 1963 he taught at the Byam Shaw School of Drawing and Painting and from 1961 to 1968 at the Royal Academy Schools. He painted murals at Morley College 1928-30 with his colleagues Eric Ravillious and Edward Bawden. Unfortunately these murals were destroyed during World War II. The work led to further murals: at Brockley School, Kent, with Evelyn Dunbar; and at Campion Hall Lady Chapel, Oxford. His oil paintings are frequently of a religious nature. He was a skilled botanist, and many of his drawings depict his garden at Wrotham, Kent. He exhibited at NEAC and the RA, being made an RA elect in 1968. He is represented in the Tate Gallery and other public collections. The Ashmolean Museum, Oxford, held a memorial exhibition in 1975. Exhibitions were held in 2000 at the Harris Museum and Art Gallery, Preston, Royal Museum and Art Gallery, Canterbury, and the Fine Art Society plc in association with Liss Fine Art.