Thomas Landseer – After Sir Edwin Landseer RA – “The King of the Forest”

£650.00

1 in stock

Large and impressive engraving, “The King of the Forest”, by Thomas Landseer, (1795-1880) After Sir Edwin Landseer RA, (1802-1873). Etching, engraving and stipple on chine collé, proof before all letters. Signed in pencil T. Landseer (lower right). Framed and glazed. Published; (probably 1871).

Image: 23 ¼ x 24 in. (59.1 x 60.9 cm.) 
Frame: 39 15/16 in. (101.5 x 83 cm.) 

A stag standing to front, three-quarter length, with two deer behind him, one leaning down to eat. 

The photos were taken without removing the print from the frame. The print is in exceptionally clean condition with just a few faint marks

Brand

Landseer, Sir Edwin Henry (1802-1873)

Landseer was a brilliant animal painter whose work had added appeal in the Victorian age because of his tendency to give his animal scenes a moral dimension. These pictures were widely circulated in his time in the form of engravings, often made by his brother Thomas. Edwin Landseer was the youngest son of an engraver. The three Landseer brothers studied under Benjamin Robert Haydon, the historical painter, from 1815. Haydon encouraged Landseer to study animal anatomy. In 1816, Landseer entered the Royal Academy Schools, but he had already exhibited at the Royal Academy Summer Exhibition in the previous year. He was elected Associate of the Royal Academy in 1826 aged only twenty four, and full Academician in 1831 when not yet thirty. In 1824 Landseer made the first of many visits to Scotland. He fell in love with the Highlands, which inspired many of his later paintings such as 'The Monarch of the Glen' (Royal Academy 1851, John Dewar & Sons Limited). He also visited Sir Walter Scott, who admired his paintings and chose him as one of the illustrators to the Waverley edition of his novels. In the 1830s his work gained wide popularity and was bought both by the aristocracy and the newly important middle class. He himself moved freely in aristocratic circles, and after 1836 he enjoyed royal patronage, especially in the 1840s when Victoria and Albert also discovered Scotland. He paid his first visit to their home, Balmoral in 1850 to paint a large group portrait of the royal family. He was knighted that year even though the painting was never finished. After a breakdown in 1840, partly caused by the failure of the royal portrait, Landseer had a permanent fight against depression and ill health, although he continued to paint brilliantly almost until the end of his life. In the 1860s he modelled the lions at the base of Nelson's Column in Trafalgar Square and these were unveiled in 1867. In 1866 he declined the presidency of the Royal Academy, and after 1870 sank slowly into madness. A major exhibition of his work was held at the Tate Gallery in 1981, organised by Richard Ormond. — Hilary Morgan.

Landseer, Thomas (1795-1880)

Edwin Landseer’s eldest brother, was a talented engraver.  Thomas collaborated with Edwin from childhood, as the younger brother preferred drawing and painting. He would go on to dedicate much of his career to engraving his brother's most famous paintings. In total Thomas copied over 125 of Edwin's works. 
 
Having studied under Benjamin Robert Haydon, Thomas Landseer also produced many original etchings of his own work. In 1828 he created a book parodying human folly, 'Monkeyana or Men in Miniature'. He also published 'Characteristic Sketches of Animals' in 1832 and 'The Natural History of Birds' in 1836. Thomas was elected an Associate of the Royal Academy (ARA) in 1868. He died in London in 1880.