British School (19th century) – Victoria and Albert
1 in stock
Indistinctly signed with the artists initials (lower right). Black chalk with white highlights on buff wove paper floated onto its original backing paper and displayed in a new mount. The caption written in pen and brown ink reads; Husband.- Ou’s ickle plump partridge is ou? / Wife.- Ours Hubby.
Image: 5 3/8 x 8 7/8 in. (13.6 x 22.6 cm.)
Window of Mount: 7 1/8 x 9 7/8 in. (18 x 25 cm.)
Mount: 12 1/4 x 14 7/8 in. (31.3 x 37.6 cm.)
In Victorian society popular figures were often satirized as animals, especially in magazine’s such as ‘Punch’. The status, role and significance of animals and the animal kingdom were key issues in the development of Victorian culture.
The drawing bears some relation to a remark that the Duke of Kent gave when in May 1819 his spirited new born daughter Princess Victoria was born, he described her as being “Plump as a partridge… more of a pocket Hercules than a pocket Venus”. It has been said that Victoria had a large appetite both for food and, indeed, for life.
Victoria met the German prince at Kensington Palace when the pair were both just 17. Their meeting had been masterminded by Victoria’s uncle, Leopold I of Belgium, who believed he could benefit politically from the match. Yet despite the marriage brokering that had led the couple to meet, this was most definitely a love match. Victoria’s diary revealed that she found the young prince “extremely handsome”. She wrote, “his eyes are large and blue, and he has a beautiful nose and a very sweet mouth with fine teeth; but the charm of his countenance is his expression, which is most delightful”. As royal tradition dictated that no one could propose to a reigning monarch, in October 1839 it was Victoria who proposed to Albert. Their wedding took place in St James’s Palace chapel in 1840.