Mortimer Menpes – The Thames

Out of stock

A Set of Nine Etchings and Drypoints, depicting scenes on the river Thames. Each print is signed in pencil and displayed with hand written titles and numbers on their original mounts. Framed and Glazed.


Each print with its mount were cut from a large format cloth covered binding with leather spine (53 x 46.5 cm). Inscriptions on the face of the binding are tooled in gold.  The name ‘Maud’ is shown within a rectangular box at the centre of the cover with ‘Volume X’ to the bottom and title to top. One other volume is also available with the initials ‘MM’ tooled in gold in place of the name ‘Maud’.

Titles: 96. East India Docks. 97. Evening. 98. West Side of Cannon Street Bridge. 99. Near Southwark Docks. 100. Warehouses. 101. Near Billinsgate Market. 102. Hay Barges. 103. Hammersmith. 104. St. Pauls.

Additional information


Mostly 20 cm x 20 cm. Others between 25 cm high and 30 cm wide.

Frame or Mount

53.5 cm x 44 cm.


Menpes, Mortimer (1855-1938)

Menpes was born in Port Adelaide, South Australia, the second son of property developer James Menpes, who with his wife, Ann, had settled in Australia in 1839. Educated at Adelaide Educational Institution, he attended classes at the Adelaide School of Design, and did some excellent work as a photo-colourist, but his formal art training began at the School of Art in London in 1878, after his family had moved back to England in 1875. Edward Poynter was a fellow student at the school. Menpes first exhibited at the Royal Academy in 1880, and, over the following 20 years, 35 of his paintings and etchings were shown at the Academy. Menpes set off on a sketching tour of Brittany in 1880, during which he met James McNeill Whistler. He became Whistler's pupil, and at one stage shared a flat with him at Cheyne Walk on the Chelsea Embankment in London. He was taught etching by Whistler, whose influence, together with that of Japanese design, is evident in his later work. Menpes became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself. As early as 1880, a selection of ten of his drypoint portraits, donated to the British Museum by Charles A. Howell, brought him critical acclaim. A visit to Japan in 1887 led to his first one-man exhibition at Dowdeswell's Gallery in London. Menpes moved into a property at 25 Cadogan Gardens, Sloane Square, designed for him by A. H. Mackmurdo in 1888 and decorated it in the Japanese style. Whistler and Menpes quarrelled in 1888 over the interior design of the house, which Whistler felt was a brazen copying of his own ideas. The house was sold in 1900, and Menpes moved to Kent. In 1900, after the outbreak of the Boer War, Menpes was sent to South Africa as a war artist for the weekly illustrated magazine Black and White. After the end of the war in 1902 he travelled widely, visiting Burma, Egypt, France, India, Italy, Japan, Kashmir, Mexico, Morocco, and Spain. Many of his illustrations were published in travel books by A & C Black. His book on the Delhi Durbar was an illustrated record of the commemoration in Delhi of the coronation of King Edward VII. For the last 30 years of his life, Menpes retired to Iris Court, Pangbourne from where he managed his Purley-on-Thames business, "Menpes Fruit Farms". He built forty large greenhouses in which to grow carnations and eight cottages to accommodate the farm workers. He died in Pangbourne in 1938. Menpes became a member of the Royal Society of Painter-Etchers and Engravers (RE) in 1881, Royal Society of British Artists (RBA) in 1885, Royal Institute of Painters in Water Colours (RI) in 1897 and Royal Institute of Oil Painters (ROI) in 1899.