Gerald Leslie Brockhurst – Casper – (Son of Chenil)

Out of stock

Etching. Signed in pencil lower right.
Framed and Glazed.

Description

Based on a painting of 1920 (which had been on the cover of ‘Colour’ July 1920) the sitter was Casper Knewstub, the son of Jack Knewstub, the owner of the Chenil Gallery in London. Chenil had published many of Augustus John’s etchings and Jack Knewstub was brother-in-law to both William Orpen and William Rothenstein. An impression was exhibited at the R.A., 1933 No 1282 or 1283.

Brand

Brockhurst, Gerald Leslie (1890-1978)

Gerald Leslie Brockhurst was one of the most successful and fashionable portrait painters working in early twentieth century. Brockhurst trained at the Birmingham School of Art from 1901 and by 1907 had enrolled at the Royal Academy Schools. In 1913 he won a travelling scholarship which enabled him to study the old masters in France and Italy, in particular the work of Leonardo Da Vinci and Piero della Francesco whose stylistic and compositional ideas had a lasting effect on the artist’s career. In 1914 Brockhurst married Anais (a Frenchwoman whom Brockhurst presumably met whilst exploring that region) and the following year they moved to Ireland where they remained until 1919. Whilst in Ireland they befriended established painters such as Augustus John whose influence can be seen in the rugged handling of paint in ‘Ireland, 1916’ [Hunterian Art Gallery, University of Glasgow]. In the 1920’s, most likely in response to the austerity following the Second World War, Brockhurst began to champion the field of etching, these works paving the way for his later portraits which betray an intelligence for light and shade which only a master etcher could attain. By 1930 Brockhurst had returned to painting and notable commissions from this period include the notorious British socialite Margaret Campbell, Duchess of Argyll (1912-1993) [Tate Britain] and Wallis Simpson, Duchess of Windsor (1896-1986) [National Portrait Gallery]. In 1939 Brockhurst moved to America where he remained for the rest of his career and one year later Anais filed for a divorce.
Image

19.5 cm x 14.5 cm.

Frame or Mount

18 cm x 33.5 cm.