Edward Francis Burney – Portrait of Charles Burney D.D. No.1

£750.00

1 in stock

This portrait was first thought to be of Charles Parr Burney as the label on the back of the picture dictates. However we have since been informed from the “Burney Society” that the portrait is of Charles Burney D.D. (1757-1817) cousin of the artist Edward Francis Burney (1760-1848).

Portrait of Charles Burney D.D. Watercolour over pencil with white highlights on paper, laid onto a contemporary wash-line mount. There are two paper labels which have been applied to the back of the original frame; the first is the framers label for Henry Hering of 137 Regent St. London. The second label is inscribed in pen and brown ink:

Charles Parr Burney D. D.
F. R. S (&?) son of Charles Burney
(…?) D Born 1758. Died 1817
Painted by E. F. Burney

A print of the subject is included with the sale of this watercolour.

Provenance: Descendants of the Burney family.

Watercolour: 6 11/16 x 5 9/16 in. (17.1 x 14.2 cm.)
Backing Mount: 8 x 7 in. (20.3 x 17.8 cm.)
Frame: 14 7/8 x 13 7/8 in. (37.8 x 35.3 cm.)

Print: Engraved: by William Sharp (1749-1824) line engraving, published 1 December 1821, trimmed to image and laid onto board; 11 5/8 x 9 3/8 in. (29.5 x 24 cm.). Portrait Set Wheatley’s London (Vol 1, part 3).

A similar watercolour:

Collection of the British Museum: Portrait of Charles Burney, D.D.; head and shoulders to front, head slightly to right and looking r, wearing jacket and cravat. Pen and brown ink, grey wash and watercolour on original wash mount: Museum number 1964,0613.2

 

Description

Charles Burney, D.D. (1757-1817) was one of the most famous classical scholars of the 18th century, and ran a school in Hammersmith from 1786 which he moved to Greenwich in 1793. He took orders late in life, and was conferred with the degree of D.D. in 1812.

Charles was famous, in his day, as a classicist, critic, educator, clergyman and thief. He was one of the most notorious book collectors of the Romantic period and his unique collection of newspapers, theatrical materials, books and manuscripts is one of the most important archives held by the British Library. Even leaving aside his family, he corresponded with an extraordinary range of figures: artists (e.g. Thomas Lawrence, Joseph Nollekens), writers (e.g. James Boswell, William Godwin, Elizabeth Inchbald), royalty and politicians (eg. Prince of Wales, William Wilberforce) and scientists and philosophers (e.g. Joseph Banks, Richard Lovell Edgeworth).

A native of London, he was the son of Charles Burney, a music historian, and his first wife, Esther Sleepe. He was a brother of the novelist and diarist Fanny Burney and the explorer James Burney, and a half-brother of the novelist Sarah Burney.

Burney was educated at Charterhouse School, London and at Gonville and Caius College, University of Cambridge. He was accused of stealing books from the university library to pay debts and sent down in 1778. He obtained an LLD degree from King’s College, Aberdeen in 1781. Burney collected 13,000 rare books and manuscripts, which he sold to the British Museum in 1817 for £13,500. This Burney Collection is housed in the British Library.

In 1782, Burney became a master at a private school in Chiswick run by William Rose. He married Rose’s daughter Sarah (1759–1821) in 1783. When Rose died in 1786, Burney took over the school, moving it to nearby Hammersmith and then to Greenwich in 1793.

Many eminent naval and military officers were educated there, but he seems to have been such a disciplinarian that he provoked a rebellion of about 50 boys at some time in the early years of the 19th century. One boy described it in an undated letter to his mother. The boys took food, chess boards, cards and weapons, and barricaded themselves in: “Then Burney came and told them to open the door but they said it was not shut to be opened. He then got a ladder & got at the top of the door where he could see them all… till at last as the door was going to be cut open they unfastened it, when Burney rushed in. At first they hit him with their sticks but he knocked them about till at last they were quiet & Burney very generously gave them the choice of being expelled or forgiven; above 40 were forgiven and 2 expelled.”

Burney transferred the school to his only child Charles Parr Burney (Archdeacon of Colchester) (1785–1864), who ran it from 1813 to 1833.

Burney gained a strong reputation as a Greek scholar with several publications. He was elected a fellow of the Royal Society in 1802. He made his peace with Cambridge University, which awarded him an MA in 1808 on his ordination as an Anglican priest. He advanced rapidly in the Church of England, becoming rector of the rich living of Cliffe, Kent, and of St Paul’s, Deptford. He also served as a royal chaplain and as a prebendary of Lincoln Cathedral. He died of apoplexy, aged sixty.

Brand

Burney, Edward Francis (1760-1848)

Edward Francis (also known as Francesco or Francisco) Burney was born in Worcester on September 7, 1760. He was the son of Richard Burney (1723-1792) and Elizabeth Humphries (c.1720-1771), the brother of Charles Rousseau Burney (1747-1819), the nephew of Charles Burney (1726-1814), and a favourite cousin of Frances Burney (1752-1840) In 1776, at the age of 16, Edward became a student at the Royal Academy School of Art. He received encouragement from Joshua Reynolds, then-president of the school. Edward exhibited at the Royal Academy of Art from 1780 through 1803. His collection included historical pieces and portraits of friends and family, including his cousin Frances (he was apparently too shy to paint other sitters). Though he was a capable oil portraitist, Edward worked mainly as an illustrator. In 1780, he exhibited three drawings to accompany Frances Burney's Evelina, one of which was later engraved and incorporated into a 1791 edition of the novel. He went on to do a series of illustrations for Milton's Paradise Lost, which are now held by the Huntington Library. Edward was influenced by the satirical style of Hogarth. In the 1820s, Edward did a set of four large watercolours which satirized musical and social life of the time: The Waltz and The Elegant Establishment for Young Ladies (held by the Victoria and Albert Museum), and Amateurs of Tye-Wig Music and The Glee Club, or, The Triumph of Music (held by the Yale Center for British Art). An oil version of Amateurs of Tye-Wig Music is available to view online at the Tate Gallery. Burney died in London on December 16, 1848, at the age of 88, and was buried in Marylebone. He was unmarried.